To be Young, Gifted and Black presented by Chineke! and curated by Berginald Rash draws inspiration from the vastness of the Black diaspora, its reach and resilience through struggle and its expansive understanding of intersectional identity.

Contemporary, delightfully weird, a love-story for the next-day delivery generation and those who get their dopamine hit when they trigger the checkout button.

Come and hear an orchestra reshaping who classical music is for. Europe’s first majority Black, Asian and ethnically diverse ensemble, Chineke! performs works by overlooked composers in every concert, true to its motto: “championing change and celebrating diversity in classical music.”

Now in its third year, Classically Black continues to pose vital questions about what classical music is, who it speaks to, and how it remains relevant in the 21st century. By creating space for honest and necessary dialogue, the series invites audiences and artists alike to reconsider long-held assumptions about the genre and the structures that shape it.

Contemporary, delightfully weird, a love-story for the next-day delivery generation and those who get their dopamine hit when they trigger the checkout button.

Il Turco in Italia worthy of headline status! Presented here not as an emulation but how Teatro Nuovo imagine what the Garcías must have hoped to present.

So, Don Giovanni as a bel canto opera? Expect the unexpected! The opera is an unfathomable masterpiece, and there is no one right way to approach it. For this production, Teatro Nuovo are taking their cues from what we know of García, Bassi, and Da Ponte, and expecting it to bring surprises and delight.

Il Turco in Italia worthy of headline status! Presented here not as an emulation but how Teatro Nuovo imagine what the Garcías must have hoped to present.

So, Don Giovanni as a bel canto opera? Expect the unexpected! The opera is an unfathomable masterpiece, and there is no one right way to approach it. For this production, Teatro Nuovo are taking their cues from what we know of García, Bassi, and Da Ponte, and expecting it to bring surprises and delight.

Mozart’s Don Giovanni hurtles between comedy, danger, and seduction as a notorious libertine pursues pleasure until vengeance and justice close in. From a deadly duel to a ghostly reckoning, the drama ignites in the historic stable yards of Lismore Castle with sharp humour, beauty, and a touch of the supernatural.

Mozart’s Don Giovanni hurtles between comedy, danger, and seduction as a notorious libertine pursues pleasure until vengeance and justice close in. From a deadly duel to a ghostly reckoning, the drama ignites in the historic stable yards of Lismore Castle with sharp humour, beauty, and a touch of the supernatural.

Mozart’s Don Giovanni hurtles between comedy, danger, and seduction as a notorious libertine pursues pleasure until vengeance and justice close in. From a deadly duel to a ghostly reckoning, the drama ignites in the historic stable yards of Lismore Castle with sharp humour, beauty, and a touch of the supernatural.

Mozart’s Don Giovanni hurtles between comedy, danger, and seduction as a notorious libertine pursues pleasure until vengeance and justice close in. From a deadly duel to a ghostly reckoning, the drama ignites in the historic stable yards of Lismore Castle with sharp humour, beauty, and a touch of the supernatural.

Join clarinettist Berginald Rash and friends as they take on repertoire spanning the early classical to neo-classical, from Crusell to Françaix, running the gamut of period instruments to modern in a kaleidoscopic potpourri of music.

fractured rhapsody is the excavation, dissection and interrogation of post-traumatic joy - siloed, singular, surpassing understanding and broken. Featuring the works of Stefan L. Smith, Jessie Montgomery, James Lee III, Iván Enrique Rodriguez and more is this rhapsodically fractured program unfettered bliss and tumult or the facade of the former in the face of the latter? You decide.

Join the Irish Baroque Orchestra and Peter Whelan for the second instalment of Classical Masterworks, where works by Van Maldere and Mozart receive a colourful rendering on period instruments.

Join the Irish Baroque Orchestra and Peter Whelan for the second instalment of Classical Masterworks, where works by Van Maldere and Mozart receive a colourful rendering on period instruments.

Join the Irish Baroque Orchestra and Peter Whelan for the second instalment of Classical Masterworks, where works by Van Maldere and Mozart receive a colourful rendering on period instruments.

Collaboration is the theme of this year's festival which takes place from Sunday 29th June to Friday 4th July at An Grianán, Termonfeckin, Co. Louth. A highlight of the festival will be a specially curated series of evening concerts featuring talented artists. Synergy embraces the theme of he festival through performances by two exceptional duos Harp Alchemy (Amy Turk & Lauren Scott) and Dathanna (Fiona Gryson & Berginald Rash). Bígí linn!

Berginald presents Bombast! showcases works both by Black composers - many of whom form the US-based composer collective Blacknificent 7 - and Latiné composers - only at New Music Dublin 2025 at the National Concert Hall

Join the Rash-Kang Duo with clarinettist Berginald Rash and pianist HyeSoo Kang at Dublin’s Hugh Lane Gallery: Sunday at Noon Series as they embark on a joyful musical celebration of work by Poulenc, Brahms, Bax and the award-winning Jessie Montgomery.

Making my debut at the Leeds International Concert Season with old and new colleagues. Looking foward to bringing GJ Jackson’s unaccompanied work, Wall of Clouds, to this brilliant audience and sinking my teeth into Errollyn Wallen’s NNENNA. Hope to see you there!

Glasshouse Music and tasteinyourmouth present “Hysterically Shopping! to some sort of end..” 18th & 19th December 7pm & pm respectively at Project Arts Centre

Glasshouse Music and tasteinyourmouth present “Hysterically Shopping! to some sort of end..” 18th & 19th December 7pm & pm respectively at Project Arts Centre

Join pianist Annalisa Monticelli, tenor Gavan Ring, and I as we celebrate Irish composer, Charles Villiers Stanford's centenary at the Hugh Lane Gallery.